Here are some articles that stuck with me long after I finished reading them. The Chameleon
On June 8th, an administrator rushed into the principal’s office. She said that she had been watching a television program the other night about one of the world’s most infamous impostors: Frédéric Bourdin, a thirty-year-old Frenchman who serially impersonated children. “I swear to God, Bourdin looks exactly like Francisco Hernandez Fernandez,” the administrator said.
Chadourne was incredulous: thirty would make Francisco older than some of her teachers. She did a quick Internet search for “Frédéric Bourdin.” Hundreds of news items came up about the “king of impostors” and the “master of new identities,” who, like Peter Pan, “didn’t want to grow up.” A photograph of Bourdin closely resembled Francisco—there was the same formidable chin, the same gap between the front teeth. Chadourne called the police.
“Are you sure it’s him?” an officer asked.
“No, but I have this strange feeling.”
This story is also the basis for the 2012 documentary The Impostor, currently on Netflix.
They also refer to it as “The Incident” or “That Incredible Series.” It’s the only time anyone can remember a local recreational bowler making the sports section of the Dallas Morning News. One man, an opponent of Fong’s that evening, calls it “the most amazing thing I’ve ever seen in a bowling alley.”
Bill Fong needs no reminders, of course. He thinks about that moment—those hours—every single day of his life.
Most people think perfection in bowling is a 300 game, but it isn’t. Any reasonably good recreational bowler can get lucky one night and roll 12 consecutive strikes. If you count all the bowling alleys all over America, somebody somewhere bowls a 300 every night. But only a human robot can roll three 300s in a row—36 straight strikes—for what’s called a “perfect series.” More than 95 million Americans go bowling, but, according to the United States Bowling Congress, there have been only 21 certified 900s since anyone started keeping track.
On April 12, 1987, Michael Morton sat down to write a letter. “Your Honor,” he began, “I’m sure you remember me. I was convicted of murder, in your court, in February of this year.” He wrote each word carefully, sitting cross-legged on the top bunk in his cell at the Wynne prison unit, in Huntsville. “I have been told that you are to decide if I am ever to see my son, Eric, again. I haven’t seen him since the morning that I was convicted. I miss him terribly and I know that he has been asking about me.” Referring to the declarations of innocence he had made during his trial, he continued, “I must reiterate my innocence. I did NOT kill my wife. You cannot imagine what it is like to lose your wife the way I did, then to be falsely accused and convicted of this terrible crime. First, my wife and now possibly, my son! Sooner or later, the truth will come out. The killer will be caught and this nightmare will be over. I pray that the sheriff’s office keeps an open mind. It is no sin to admit a mistake. No one is perfect in the performance of their job. I don’t know what else to say except I swear to God that I did NOT kill my wife. Please don’t take my son from me too.”
Two teams of surgeons begin the procedure in tandem: one group carefully strips the donor’s face of every necessary component, while the other removes the damaged layers of tissue from the patient. "You have what is basically a mask from the donor and you bring that into the patient’s operating room," says Maria Siemionow, MD, who leads the Cleveland Clinic’s face transplant program. The next step is critical: surgeons hustle to reconnect the arteries and veins from that mask with the patient’s blood vessels. If they do it right, that white mask flushes with pink. "You don’t know until you see the blood coming back," Siemionow says. "That’s how you know the face is alive, and the surgery has worked."
Rodrigo Rosenberg knew that he was about to die. It wasn’t because he was approaching old age—he was only forty-eight. Nor had he been diagnosed with a fatal illness; an avid bike rider, he was in perfect health. Rather, Rosenberg, a highly respected corporate attorney in Guatemala, was certain that he was going to be assassinated.
This incredible true story would make a riveting Hollywood thriller.
After a woman living in a hotel in Florida was raped, viciously beaten, and left for dead near the Everglades in 2005, the police investigation quickly went cold. But when the victim sued the Airport Regency, the hotel’s private detective, Ken Brennan, became obsessed with the case: how had the 21-year-old blonde disappeared from her room, unseen by security cameras? The author follows Brennan’s trail as the P.I. worked a chilling hunch that would lead him to other states, other crimes, and a man nobody else suspected.
Shaw touched down on the cave's sloping bottom well up from where Gomes had landed, clipped off the cave reel, and started swimming. There was no time to waste. Every minute he spent on the bottom—his VR3 dive computer said he was now approaching 886 feet—would add more than an hour of decompression time on the way up. Still, Shaw felt remarkably relaxed, sweeping his light left and right, reveling in the fact that he was the first human ever to lay line at this depth. Suddenly, he stopped. About 50 feet to his left, perfectly illuminated in the gin-clear water, was a human body. It was on its back, the arms reaching toward the surface. Shaw knew immediately who it was: Deon Dreyer, a 20-year-old South African who had blacked out deep in Bushman's ten years earlier and disappeared. Divers had been keeping an eye out for him ever since.
Shaw turned immediately, unspooling cave line as he went. Up close, he could see that Deon's tanks and dive harness, snugged around a black-and-tan wetsuit, appeared to be intact. Deon's head and hands, exposed to the water, were skeletonized, but his mask was eerily in place on the skull. Thinking he should try to bring Deon back to the surface, Shaw wrapped his arms around the corpse and tried to lift. It didn't move. Shaw knelt down and heaved again. Nothing. Deon's air tanks and the battery pack for his light appeared to be firmly embedded in the mud underneath him, and Shaw was starting to pant from exertion.
David Shaw's story was also featured on episode 515 of This American Life.
Mont Blanc is Western Europe’s tallest mountain, and the world’s deadliest. For four young English climbers—friends since boarding school, two of whom, Rob Gauntlett and James Hooper, had already become the youngest Britons to scale Everest—it held the promise of adventure, camaraderie, and escape from mundane worries. But on January 9, as the author reports, two of them plummeted nearly half a mile to a brutal death, leaving questions to be answered.
So it’s ironic that Bogost’s breakout hit—the game that has made him a celebrity within his industry, attracted tens of thousands of players, and even earned him a bit of money—is a cynical trifle he whipped up in a matter of days. It’s a Facebook game called Cow Clicker, and it’s unlike anything Bogost ever made before, a borderline-evil piece of work that was intended to embody the worst aspects of the modern gaming industry. He meant Cow Clicker to be a satire with a short shelf life. Instead, it enslaved him and many of its players for much of the past 18 months. Even Bogost can’t decide whether it represents his greatest success—or his most colossal failure.
At 2:28 pm on August 28, 2003, a middle-aged pizza deliveryman named Brian Wells walked into a PNC Bank in Erie, Pennsylvania. He had a short cane in his right hand and a strange bulge under the collar of his T-shirt. Wells, 46 and balding, passed the teller a note. “Gather employees with access codes to vault and work fast to fill bag with $250,000,” it said. “You have only 15 minutes.” Then he lifted his shirt to reveal a heavy, boxlike device dangling from his neck. According to the note, it was a bomb. The teller, who told Wells there was no way to get into the vault at that time, filled a bag with cash—$8,702—and handed it over. Wells walked out, sucking on a Dum Dum lollipop he grabbed from the counter, hopped into his car, and drove off. He didn’t get far. Some 15 minutes later, state troopers spotted Wells standing outside his Geo Metro in a nearby parking lot, surrounded him, and tossed him to the pavement, cuffing his hands behind his back.
Wells told the troopers that while out on a delivery he had been accosted by a group of black men who chained the bomb around his neck at gunpoint and forced him to rob the bank. “It’s gonna go off!” he told them in desperation. “I’m not lying.” The officers called the bomb squad and took positions behind their cars, guns drawn. TV camera crews arrived and began filming. For 25 minutes Wells remained seated on the pavement, his legs curled beneath him.
Carefully, Blanchard entered through the window he had unlocked the previous day. He knew there was a chance of encountering guards. But the Schloss Schönbrunn was a big place, with more than 1,000 rooms. He liked the odds. If he heard guards, he figured, he would disappear behind the massive curtains.
The nearby rooms were silent as Blanchard slowly approached the display and removed the already loosened screws, carefully using a butter knife to hold in place the two long rods that would trigger the alarm system. The real trick was ensuring that the spring-loaded mechanism the star was sitting on didn’t register that the weight above it had changed. Of course, he had that covered, too: He reached into his pocket and deftly replaced Elisabeth’s bejeweled hairpin with the gift-store fake.
Within minutes, the Sisi Star was in Blanchard’s pocket and he was rappelling down a back wall to the garden, taking the rope with him as he slipped from the grounds. When the star was dramatically unveiled to the public the next day, Blanchard returned to watch visitors gasp at the sheer beauty of a cheap replica. And when his parachute was later found in a trash bin, no one connected it to the star, because no one yet knew it was missing. It was two weeks before anyone realized that the jewelry had disappeared.